By 
Stevie Nicks in her prime was before my time. But a voice like that can make time stand still. I’ve always enjoyed her music. She wrote the enduring hit “Landslide” in 1974 at the age of 26. Here are the lyrics that people were singing along to circa 1976, when the “Fleetwood Mac” album was at the top of the charts:
I took my love, I took it down
Climbed a mountain and I turned around
And I saw my reflection in the snow covered hills
‘Til the landslide brought me down
Oh, mirror in the sky, what is love?
Can the child within my heart rise above?
Can I sail through the changin’ ocean tides?
Can I handle the seasons of my life?
Mmm
Well, I’ve been afraid of changin’
‘Cause I’ve built my life around you
But time makes you bolder
Even children get older
And I’m gettin’ older, too
Well, I’ve been afraid of changin’
‘Cause I’ve built my life around you
But time makes you bolder
Even children get older
And I’m gettin’ older, too
I’m gettin’ older, too
Ah, take my love, take it down
Oh, climb a mountain and turn around
And if you see my reflection in the snow covered hills
Well, the landslide will bring it down
And if you see my reflection in the snow covered hills
Well, the landslide will bring it down
Oh, the landslide will bring it down
No matter your age, you probably just silently sang a wistful duet, Stevie’s slightly raspy yet melodically soothing voice guiding you through peaks and valleys of your own life.
Some would consider Miley Cyrus the millennial version of Stevie Nicks. Artistic merits can be debated, but there is a salient similitude at least in their vocal tonalities. In 2019, also at the age of 26, Miley is currently promoting an album called “She is Miley Cyrus”. Here’s what people are singing along to today:
Nasty, I’m so nasty, nasty
I’m nasty, I’m so motherf*cking nastyTurn up your gratitude, turn down your attitude
I love my p*ssy, that means I got cattitude
If you don’t feel what I’m saying, I don’t f*ck with you
If you don’t feel what I’m saying, I don’t f*ck with you
(repeat ad nauseam)Back up, you’re squashing my charisma
Why I gotta be so motherf*cking extra?
Back up, you’re squashing my charisma
Why I gotta be so motherf*cking extra?
(Get it, get it) I’m so nasty
(Cash Money) I’m nasty
(Get it, get it) I’m so nasty
(Cash Money) I’m so motherf*cking nasty
You’re just mad ’cause your hair is flat
(I’m so motherf*cking nasty)
You’re just mad ’cause your hair is flat
(I’m so motherf*cking nasty)
These are among the more pleasant lyrics you’ll find on her latest offering. Save your eyes and ears and take my word for it – it gets worse.
I tend to shy away from phrases like “the world’s going to hell in a handbasket” because let’s face it, said handbasket is always on fire and it’s always full of something. In fact, that phrase came into general use during the Civil War and I doubt a day has gone by without it being muttered by someone for some reason. But I do find it concerning to contrast what a popular singer in her mid 20’s sang about in the 70s compared to now. You can argue that it’s only one person, but if you expand the sample size you’ll find a common theme – today’s pop princesses are engaged in a crusade to see who can parade the crown of “nastiest” the most proudly. From what I can tell, that wasn’t the case 40 years ago.
I’m not here to condemn any of them. They’re artists, just trying to make sense of this human condition like the rest of us. But with great power comes great responsibility.
It’s one thing for individuals to buy into the idea that they can find fulfillment in foraging for flesh. To believe that the best way to achieve peak womanhood is to mimic the most reprehensible mannerisms of men. It’s another to sell this ideology to millions of young women who venerate your every tweet and emulate your every gyration. To teach them that feminism is vitriol and vanity rather than benevolence and virtue. That indignant nihilist is a higher identity than radiant daughter of God. With so many searching desperately for direction in the snow covered hills, this is what you choose to reflect back to them?
Miley performed a cover of “Landslide” in 2018 at an event honoring Fleetwood Mac. Stevie seemed to appreciate the tribute from someone whom she had influenced. In 40 years, when Miley is in her 60’s and a pop star of the 2050s glowingly serenades her with “I’m nasty, I’m so motherf*cking nasty…”, I wonder if she’ll feel the same about the millions that she has influenced.
